I think my novels are characterised by a deep narrative style and multifaceted characters. It is important to me to portray complex emotions and relationships in an authentic way. Each story should transport the reader into a realistic yet fascinating world and immerse him or her in the thoughts and feelings of the characters.
Using a mixture of subtle humour, metaphorical language and vivid description, I explore themes of love, loss and self-discovery in a unique way. In this way, my books not only tell exciting stories, but also make you think about what it means to be human.

There are 2 novels in this series so far:

Book 1: Light beneth doors
The book is out!

Book 2: Wings of Led
will be published in English in the second quarter of 2026.

The idea for the Metamour series came to me in 2008, when I was suddenly unemployed because my American employer decided to close its EMEA office overnight.
At the time, there were a lot of TV shows on the subject: 40 Years of Summer Love, and I wondered what would happen if a hardened, overworked IT specialist on the verge of burnout, or who had already survived it, met a cool hippie kid?
I kept asking myself this question and dreaming myself far away.
And so one thing led to another, until I finally decided to make a story out of it.
And now I invite you to follow me into a utopian world of love, loss and self-discovery.

I think it was the contradiction. I’ve always dreamed of a simple, communal life—one where people are there for one another and help each other. I would love to live with a group of like-minded people in a large house, with plenty of shared spaces. A life like that would be the complete opposite of how I grew up and how I often experience my day-to-day life now.

In my everyday work, the focus is on solving technical problems, tracking down errors, and fixing them.

Along the way, I frequently encounter people who are inconsiderate and selfish, seemingly indifferent to how their behaviour affects others. And I’ve begun to notice that I sometimes react in a similar way myself—simply because their attitude goes so strongly against the grain.

So I created this utopia in order to preserve it for myself, at least on a small scale.

By utopia I mean the way of life I imagined, in which most of my characters live together. This doesn’t only relate to how they love—mostly in polyamorous relationships—but also to how they act, both privately and professionally. I asked myself how the values and ideals of the flower children of the past might be preserved in today’s world.

That question led me to the idea of HFNCI (Hippie Freaks New Community International)—a community that has managed to achieve exactly that, both ideologically and economically. It places togetherness at its core, operates without excessive financial interests, and acts sustainably.